MIXING AND DOLBY ATMOS MUSIC MIXING
I have 25 years of experience with FOH sound engineering.
Modern technology has created a platform for FOH engineering that takes advantage of all kinds of plugins and sound tools making it easy to focus specifically on what’s important: MUSIC - Listening to the sound and create the right soundscape.
Musicals and theatre pieces need a different approach than live music. Being able to build a dynamic process with development, not only for a song, but for a whole play is what I really like. Immersive sound is key to make a design come to life.
A broad knowledge of music and harmonies makes it easier to do the right choices when it comes to mixing music. During the last 25 years I have had the opportunity to work as a mixing engineer in not only the live industry, but also as a studio engineer mixing records or tracks, producing music, mixing film score and broadcast audio.
Latest I've invested in a Dolby Atmos sound system, which makes it possible for me to deliver music mixing in this format, as well as mastering in Atmos.
Taking the right decisions when it comes to a live audio experience takes knowledge of the technical side of an event, but also leadership and communication skills. Being head of several audio production teams and with a past as production manager in the rental business in Denmark, this is where I can make a difference.
As a touring sound engineer I have experienced a lot of the decisions made in venues across the world. As an audio consultant I try to use this experience to make people take the best decisions regarding their new investments.